Dolby Digital"Dolby - Dolby Digital Details". Dolby Laboratories includes several similar technologies, which include Dolby Digital EX,"Dolby - What is Dolby Digital EX?". Dolby Laboratories Dolby Digital Live,"Dolby - What is Dolby Digital Live?". Dolby Laboratories Dolby Digital Plus,"Dolby - Dolby Digital Plus Details". Dolby Laboratories Dolby Digital Surround EX,"Dolby - What is Dolby Digital Surround EX?". Dolby Laboratories Dolby Digital Recording,"Dolby - What is Dolby Digital Recording?". Dolby Laboratories Dolby Digital Cinema,"Dolby - Dolby Digital Cinema Details". Dolby Laboratories Dolby Digital Stereo Creator"Dolby - Dolby Digital Stereo Creator Details". Dolby Laboratories and Dolby Digital 5.1 Creator."Dolby - What is Dolby Digital 5.1 Creator?". Dolby Laboratories

• 1 Dolby Digital
• 2 Dolby Digital EX
• 3 Dolby Digital Surround EX
• 4 Dolby Digital Live
• 5 Dolby Digital Plus
• 6 Dolby TrueHD

Dolby Digital

Dolby Digital logo that is sometimes shown at the beginning of broadcasts, feature films, and video games

The old Dolby Digital logo.

Dolby Digital is the common version containing up to six discrete channels of sound. The most elaborate mode in common usage involves five channels for normal-range speakers (20 Hz – 20,000 Hz) (right front, center, left front, right surround and left surround) and one channel (20 Hz – 120 Hz allotted audio) for the subwoofer driven low-frequency effects. Mono and stereo modes are also supported. AC-3 supports audio sample-rates up to 48 kHz. Batman Returns was the first film to use Dolby Digital technology when it premiered in theaters in Summer 1992. The Laserdisc version of Clear and Present Danger featured the first Home theater Dolby Digital mix in 1995.

This codec has several aliases, which are different names for the same codec:

• Dolby Digital
• DD (an abbreviation for Dolby Digital, often combined with channel count; for instance, DD 2.0, DD 5.1)
• AC-3 (Audio Codec 3, Advanced Codec 3, Acoustic Coder 3. These are backronyms. However, Adaptive Transform Acoustic Coding 3, or ATRAC3, is a separate format developed by Sony)"Sony USA". Sony
• ATSC A/52 (name of the standard)"A/52B: Digital Audio Compression (AC-3) (E-AC-3) Standard, Rev. B". Advanced Television Systems Committee

Dolby Digital EX

Dolby Digital EX is similar in practice to Dolby's earlier Pro-Logic format, which utilized matrix technology to add a center channel and single rear surround channel to stereo soundtracks. EX adds an extension to the standard 5.1 channel Dolby Digital codec in the form of matrixed rear channels, creating 6.1 or 7.1 channel output.

Dolby Digital Surround EX

The Cinema Version of "Dolby Digital EX" is called Dolby Digital Surround Ex and works the same way. Dolby Digital Surround EX was co-developed by Dolby and Lucasfilm THX in time for the release in May 1999 of Star Wars Episode I: The Phantom Menace. It provides an economical and backwards-compatible means for 5.1 soundtracks to carry a sixth, center back surround channel for improved localization of effects. The extra surround channel is matrix encoded onto the discrete Left Surround and Right Surround channels of the 5.1 mix, much like the front center channel on Dolby Surround encoded stereo soundtracks. The result can be played without loss of information on standard 5.1 systems, or played in 6.1 or 7.1 on systems equipped with Surround EX decoding and additional speakers. Dolby Digital Surround EX has since been used for the Star Wars prequels on the DVD versions and also the remastered original Star Wars trilogy. A number of DVDs have Dolby Digital Surround EX audio option.

Dolby Digital Live

Dolby Digital Live (DDL) is a real-time hardware encoding technology for interactive media such as video games. It converts any audio signals on a PC or game console into a 5.1-channel 16-bit/48 KHz Dolby Digital format at 640kbps and transports it via a single S/PDIF cable."Dolby Digital Live". Dolby Laboratories A similar technology known as DTS Connect is available from competitor DTS.

The most important benefit of this technology is that it enables the use of digital multichannel sound with consumer sound cards, which are otherwise limited to digital PCM stereo or analog multichannel. Later, HDMI introduced and supports digital multichannel PCM, but for S/PDIF, DDL and DTS Connect are the only way to support digital multichannel sound unless the sound source is already encoded by DD / DTS.

Dolby Digital Live is currently available in sound cards from manufacturers such as Creative Labs, Diamond Multimedia, TerraTec, Turtle Beach,"Montego DDL". Turtle Beach SystemsHT OMEGA SYSTEM,"HT Omega - The Next Generation in Audio.". HT OmegaAuzentech"HDA X-Plosion 7.1 DTS Connect". Auzentech and AsusGasior, Geoff (April 8, 2008). "Asus' Xonar DX sound card". The Tech Report using C-Media chipsets. The SoundStorm, used for the Xbox game console and certain nForce2 motherboards, used an early form of this technology.

DDL is also available on motherboards with codecs such as Realtek's ALC882D,Key, Gary (June 8, 2006). "NVIDIA nForce 500: Biostar and MSI Aim for the Gold". AnandTech ALC888DD and ALC888H.

Since September 2008, all Creative X-Fi based sound cards support DDL (except the 'Xtreme Audio' and its based line such as Prodigy 7.1e, which is not capable of DDL in hardware), but X-Fi's case is a bit complicated.

Originally, all Creative X-Fi based sound cards did not support DDL (2005~2007). When Creative and Auzentech developed Auzentech Prelude which was the first X-Fi card to support DDL, they planned to extend DDL support to all X-Fi based sound cards (except the 'Xtreme Audio' line which is not capable of DDL in hardware). However, they dropped the plan because Dolby licensing would have required royalty payment for all X-Fi cards including those already sold. "A Korean reply comment (the fifth), which explains Dolby license royalty issue of X-Fi. Since the information leaked from SoundPrime, the Korean partner of Auzentech, all source about this information are Korean." In 2008 Creative released the X-Fi Titanium series of sound cards which fully supports Dolby Digital Live, while all PCI versions of Creative X-Fi still lacked support for DDL.

While they forgot about the plan, a programmer named Daniel Kawakami, who is famous for his Creative driver modifications, made a hot issue by applying Auzentech Prelude DDL module back to Creative X-Fi cards by disguising the hardware identity as Auzentech Prelude."What Daniel_K wrote to the public is "This utility was written from scratch and does not contain any copyrighted code. Creative's director of developer relations, George Thorn told me, in a chat session, that is OK to provide mods as patches. It does not modify any executable or DLL, so it is NOT a crack.". Daniel_K's driver MOD itself did not include any DDL module, until it began to support Creative's official DDL pack. Daniel_K's 'DDLUnlocker.exe' merely used disguise to install Auzentech Prelude DDL module"

Creative Labs had alleged about Daniel_K that many consumers admire Daniel_K and blame Creative Labs, so begin to insist that Daniel_K had violated their intellectual property and demanded he cease distributing his modified drivers. "There is BrokenBlaster blame about CL - Creative Labs, its much later than the issue but show common case who blame Creative Labs and admire Daniel_K". Creative TechnologyBeschizza, Rob (March 31, 2008). "Silence From Sound Card Maker After Customer Revolt". Wired"Daniel_K, Who Fixed Creative's Broken Vista Drivers, Speaks Out". Wired.com

Nonetheless, Creative finally made an agreement with Dolby Laboratories about Dolby license royalty by making who buy Creative X-Fi PCI cards pay the royalty instead of Creative. Based on the agreement, in September 2008, Creative began selling the "Dolby Digital Live" packs which enables Dolby Digital Live on Creative's X-Fi PCI series of sound cards. It can be purchased and downloaded from Creative. In later, Creative added "DTS Connect" pack to the DDL pack without any additional cost. "Dolby Digital Live pack, its DDL pack but also say "Get DTS Connect Pack FREE! for every purchase of Dolby Digital Live Pack."". Creative Technology

Dolby Digital Plus

E-AC-3, more commonly known as Dolby Digital Plus, is an enhanced coding system based on the AC-3 codec. It offers increased bitrates (up to 6.144 Mbit/s), support for more audio channels (up to 13.1), and improved coding techniques to reduce compression artifacts. It is not backward compatible with existing AC-3 hardware, though E-AC-3 decoders generally are capable of transcoding to AC-3 or DTS for equipment connected via S/PDIF. Only the discontinued HD DVD system directly supported E-AC-3, though Blu-ray Disc offers E-AC-3 as a option to graft additional channels onto an otherwise 5.1 AC-3 stream.

Dolby TrueHD

Dolby TrueHD, developed by Dolby Laboratories, is an advanced lossless audio codec based on Meridian Lossless Packing. Support for the codec was mandatory for HD DVD and is optional for Blu-ray Disc hardware. TrueHD supports 24-bit, 96 kHz audio channels at up to 18 Mbit/s over 14 channels (HD DVD and Blu-ray Disc standards currently limit the maximum number of audio channels to eight). It also supports extensive metadata, including dialog normalization and Dynamic Range Control.

Although most commonly associated with the 5.1 channel configuration, Dolby Digital allows a number of different channel selections. The full list of available options are:

• Mono (Center only)
• 2-channel stereo (Left + Right), optionally carrying matrixed Dolby Surround
• 3-channel stereo (Left, Center, Right)
• 2-channel stereo with mono surround (Left, Right, Surround)
• 3-channel stereo with mono surround (Left, Center, Right, Surround)
• 4-channel quadraphonic (Left, Right, Left Surround, Right Surround)
• 5-channel surround (Left, Center, Right, Left Surround, Right Surround)

All of these configurations can optionally include the extra Low Frequency Effect (LFE) channel. The last two with stereo surrounds can optionally use Dolby Digital EX matrix encoding to add an extra Rear Surround channel.

Many Dolby Digital decoders are equipped with downmixing functionality to distribute encoded channels to available speakers. This includes such functions as playing surround information through the front speakers if surround speakers are unavailable, and distributing the center channel to left and right if no center speaker is available. When outputting to separate equipment over a 2-channel connection, a Dolby Digital decoder can optionally encode the output using Dolby Surround to preserve surround information.

The '.1' in 5.1, 7.1 etc. refers to the LFE channel, which is also a discrete channel.

A photo of a 35 mm film print featuring all four audio formats (or "quad track")- from left to right: SDDS (blue area to the left of the sprocket holes), Dolby Digital (grey area between the sprocket holes labelled with the Dolby "Double-D" logo in the middle), analog optical sound (the two white lines to the right of the sprocket holes), and the DTS time code (the dashed line to the far right.)

Dolby Digital SR-D cinema soundtracks are optically recorded on a 35 mm release print using sequential data blocks placed between every perforation hole on the sound track side of the film. A CCD scanner in the projector picks up a scanned video image of this area, and a processor correlates the image area and extracts the digital data as an AC-3 bitstream. This data is finally decoded into a 5.1 channel audio source.

Dolby Digital audio is also used on DVD-Video and other purely digital media, like home cinema. In this format, the AC-3 bitstream is interleaved with the video and control bitstreams.

The system is used in many bandwidth-limited applications other than DVD-Video, such as digital TV. The AC-3 standard allows a maximum coded bit rate of 640 kbit/s. 35 mm film prints use a fixed rate of 320 kbit/s, which is the same as the maximum bit rate for 2-channel MP3. HD DVD and DVD-Video discs are limited to 448 kbit/s, although many players can successfully play higher-rate bitstreams (which are non-compliant with the DVD specification). ATSC and Digital cable standards limit AC-3 to 448 kbit/s. Blu-ray Disc, the PlayStation 3 and the Xbox game console can output an AC-3 signal at a full 640 kbit/s. Some Sony PlayStation 2 console games are also able to output AC-3 standard audio as well.

Dolby is also part of a group of organizations involved in the development of AAC (Advanced Audio Coding), part of MPEG specifications, and considered the successor to MP3. AAC outperforms MP3 at any bitrate, but is more complex."EBU Evaluations of Multichannel Audio Codecs". European Broadcasting Union

Dolby Digital Plus (DD-Plus) is supported in HD DVD, as a mandatory codec, and in Blu-ray Disc, as an optional codec.

The data layout of AC-3 is described by simplified "C-like" language in official specifications. An AC-3 stream is made up by a series of frames; each frame has a fixed number of 6 audio blocks; each audio block contains 256 audio samples per channel. For example, a 5.1 AC-3 bitstream contains 1536 samples per audio block (6 channels × 256 samples/channel). Channel blocks can be either long, in which case the entire block is processed as single modified discrete cosine transform or short, in which case two half length transforms are performed on the block. Below is a simplified AC-3 header intended to give an introduction into the data syntax. A detailed description of the header can be found in the ATSC "Digital Audio Compression (AC-3) Standard", section 5.4.

A free ATSC A/52 stream decoder, liba52, is available under the GPL license.